Graduation Date
Spring 2025
Document Type
Project
Program
Master of Arts degree with a major in English, emphasis in Applied English Studies
Committee Chair Name
Renée Byrd
Committee Chair Affiliation
Cal Poly Humboldt Faculty or Staff
Second Committee Member Name
Cutcha Risling Baldy
Second Committee Member Affiliation
Cal Poly Humboldt Faculty or Staff
Third Committee Member Name
Robin Day
Third Committee Member Affiliation
Community Member or Outside Professional
Keywords
Indigenous epistemologies, Community, Food, Latine, Latinx, Latino, Latina, Grandmothers, Abuelas, Masa, Aztec, Nahuatl, Aztec philosophy, Photography, Film, Video, Art practice, Art, Family, Traditions, Constellating
Subject Categories
English
Abstract
The U.S. higher education system is built on histories and infrastructures of colonization, white supremacy, and western imperialism. Among many of the institutions produced from a history of domination and genocide, the systems of higher education need to shift their focus to decolonial frameworks including Indigenous epistemologies (ways of knowing and being) in order to work toward true reparations between these imperial systems and the Indigenous people they have displaced and disregarded. This project brings these systems into question, but also uses art, prose, and storytelling to better align with what it means or what it could look like to engage with Indigenous knowledge production in a way that is active and not purely theoretical. We are still healing from the historical events of colonialism. I use food making and sharing as well as engaging with conversations with my late great grandmother Alicia, “Licha”. This project weaves together multiple philosophies including Aztec philosophies of movement or spaces where movement occurs, “Olinkas”, as well as works from Gloria Anzaldúa, Qwo-Li Driskill, Sasha Lapointe, Enrique Salmón, Roberto Cintli Rodríguez and many others. I mix together in a bowl of masa, ideas of “nepantlas” introduced by Anzaldúa, conceptualizations of indigenous skillshares from Driskill, the personal narratives of Lapointe and Salmón, and the history of maíz from Rodríguez. I use all of these authors and others to mix the masa of who I am and where I come from, as well as how to implement Indigenous epistemologies and decolonial methodologies into the academic sphere. Here I remain unconvinced if true decolonization can happen within the institution, but nonetheless what I present here is a practice in trying, in survivance, and a process of grieving.
Citation Style
MLA
Recommended Citation
Gamboa, Necahual, "The masa that holds us: Indigenous epistemologies and the food we share" (2025). Cal Poly Humboldt theses and projects. 2294.
https://digitalcommons.humboldt.edu/etd/2294
Included in
Art Practice Commons, Creative Writing Commons, Indigenous Studies Commons, Latina/o Studies Commons