Graduation Date

Spring 2025

Document Type

Project

Program

Master of Arts degree with a major in English, emphasis in Applied English Studies

Committee Chair Name

Dr. Renee Byrd

Committee Chair Affiliation

Cal Poly Humboldt Faculty or Staff

Second Committee Member Name

Dr. Janelle Adsit

Second Committee Member Affiliation

Cal Poly Humboldt Faculty or Staff

Keywords

Language, Adaptation, Meaning making as representation, Othering, Social critique, Regimes of representation, Euripides, Medea, The Hungry Woman, Cherrie Moraga, Neil Labute, John Fisher, Cultural studies, Rhetoric

Subject Categories

English

Abstract

Language is power. Language has the ability to create, destroy, challenge, change, and enforce. Understanding the role that language plays within systems of power allows authors to use their own language(s) to question and challenge meaning made through regimes of representation through the practice of adaptation as social critique. This project’s close reading and cultural studies / rhetoric informed analysis of Euripides’ the Medea and four modern adaptations—Cherríe Moraga’s The Hungry Woman: A Mexican Medea, John Fisher’s “Medea: The Musical”, Neil LaBute’s “Medea: Redux” from Bash Latter Day Plays, and Shoestring Revue’s “Medea in Disneyland”—provides an example of the importance of historicizing and contextualizing ancient texts, and demonstrates how adapting them for a modern audience opens conversations that challenge and / or reinforce the societal and cultural norms, orthodoxies, and ideals of a specific socio-historical moment. Through the practice of adaptation as social critique, authors and audiences can engage in reconceptualization, reinterpretation, and transposition of our present and future societies as acts of resistance and means of challenging dominant narratives that permeate society at unique socio-historical moments.

Citation Style

MLA

Available for download on Saturday, May 11, 2030

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